Grab Bag Reviews: "The Web of Fear"

Patrick Troughton's era on Doctor Who introduced a number of new monsters and alien being but only a few ever really caught on well with fans. One of those were, surprisingly, the Yeti... or more precisely the Great Intelligence.

Writers Mervyn Haysman and Henry Lincoln penned the first story featuring the Yeti in 1967's "The Abominable Snowmen". The story pulled heavily from real figures in Tibetan Buddhism and for it's villain featured the formless being known as the Great Intelligence which in turn controlled the minds of certain humans in order to build his robotic Yeti servants.

The story proved popular enough that Haysman and Lincoln were asked to write a sequel -- 1968's "The Web of Fear". For this story the original Yeti costumes would be redesigned to look more fierce and the sound effect of a roar was added as well since one of the complaints about the Yeti were that they were too cuddly looking to be truly scary.

This story would also mark the introduction of a new character -- British Army Colonel Alistair Gordon Lethbridge-Stewart, played by Nicolas Courtney. Courtney had previously appeared on the show in the First Doctor story "The Daleks Master Plan" where he portrayed the ill-fated Brett Vyon. The Lethbridge-Stewart character would eventually prove quite popular and would become a regular supporting cast member during the Third Doctor era.

Reprising a role here was Jack Watling -- actress Deborah Watling's father. Jack Watling had played a reporter named Travers in "The Abominable Snowmen" but here he returns as "Professor" Travers -- a scientist. I guess somewhere in the intervening years he went back to college and got a scientific degree?

What the story is perhaps most memorable for, however, is the fact that director Douglas Camfield wanted to film part of the story in the real London subway system (known as the Underground for those not up on their British terminology). The office in charge of the Underground system wanted too much money though so in retaliation the set designers took pictures and then worked off the pictures to create near-perfect replicas on the studio soundstage. In fact, the replication was so close that the Underground system accused Camfield of sneaking down and actually filming there on the sly without permission!

Like many of the stories from Patrick Troughton's era, "The Web of Fear" is almost entirely lost. Only one episode, the first one, still exists out of the six parts. The entire audio track was preserved by some fans though and was released as an audio drama with descriptive narration provided by Fraser Hines.

And now it's time to get tangled in a web of fear....

The Plot: Something actually stops the TARDIS in space -- a strange, cocooning web. When the web finally lets go the TARDIS lands in (though) roughly contemporary London in the Underground system. The system is strangely deserted though -- no passengers waiting at the station, no trains running, and all the power switched off.

Finding soldiers in the tunnels the time traveling bunch lean the terrifying secret -- the Yeti are back! And this time they are loose in the Underground and have terrifying new weapons -- like a strange fog which, once people enter, they never come out, and gun which fire a web-like substance, and a strange, massive fungus that is growing and sealing off the Underground station by station.

One group of soldiers in a field base have been tasked with stopping the menace but they are slowly being cut off, their position overrun and their men cut down. The Great Intelligence has set a trap like a spider with a web and the Doctor, his companions and allies have stumbled into it. Now the Doctor must match wits with the Great Intelligence and this time if he fails the cost to himself and the Earth may be incalculable.

My Take: Yes, this is yet another "base-under-siege" story but it is a quintessential 'base-under-siege' story and also a literal one since this time there is a base... and it is under siege. Mervyn Haysman and Henry Lincoln really did a cracking job with this story -- getting at what makes a base-under-siege story really click -- the slow, strangling tension as the characters are cut off from help step-by-step. Added to this is the fact that each one of their plans for victory or escape are cruelly crushed. In point of fact, it is telling that the military personnel go from formulating plans to try to defeat the Yeti and the Great Intelligence to merely trying to survive. The audience are dragged along with them and feels the danger mount as the situation grows more and more dire.

There are also elements of Agatha Christie's And Then There Were None as it is revealed there is a traitor in their midst. As characters are killed off one-by-one the pool of potential traitors shrinks and the tension grows as those who survive increasingly eye one another with suspicion. For once the story does a truly excellent job at maintaining the mystery. There are multiple red herrings dragged across the trail but we do not know the truth until the end -- one one obvious ever stands out. Of course one of the costs of this is a pretty high body count all things considered.

The sound design for this story should definitely be mentioned. The sound engineers did a tremendous job in making sure that the actors' voices took on an echo-y quality for the scenes taking place in the train tunnels. Even without the visuals to reinforce it, it is easy to believe that the actors really were wandering around in a bunch of cold, tile tunnels.

Also of interest are the changes to the Great Intelligence here. In the first appearance the villain wants to inhabit the Earth -- to take on a corporeal form which, in turn, will eventually leave the human inhabitants with nowhere to go. This time around he has changed his target somewhat and now wants the knowledge in the Doctor's brain. It is really one of the few times that a villain deliberately targets the Doctor for.... um... villainy rather than wanting power, or control, or to kill an enemy.

The acting across the board should also be praised. Tina Packer as scientist Ann Travers displays an independence and sharp mind which would be lacking in many female characters for some years. She also has a wicked line in sarcasm when called on and the scenes of her working with the Doctor are well done as it comes across as two scientific colleagues working together rather than a scientist and a female assistant. Jack Watling is a delight playing the older, cantankerous Professor Travers. He may not actively be given much to do aside from be crotchety but he does do the crotchety extremely well. Even the character of Evans manages to invoke various emotions. On the one hand, it is easy to dislike him for his craven and cowardly nature. On the other hand, at times his craven and cowardly nature is a source of genuine amusement. And Nicholas Courtney... well, his Lethbridge-Stewart is, like Athena, sprung fourth fully formed. The character is locked in place from the moment we meet him and he will not alter drastically over the next several decades. But this is actually a good thing because it's easy to like the military minded Lethbridge-Stewart -- who also can display a nice talent for snark when needed.

The main cast is also firing on all cylinders... or at least as much as the script allows them too. Patrick Troughton is clearly having a ball as the Doctor as he plays the character like a genius child -- incomprehensibly intelligent but easily amused and easily distracted by the things that catch his interest -- often forgetting the danger and threats that surround him. Fraser Hines as Jamie shows himself to be, as always, the Doctor's stalwart companion... as well as being a fighter. Here Jamie is willing to run risks in the hopes of at least being able to accomplish something to keep his friends safe. It is Deborah Watling's Victoria who suffers the much in this script. She does stupid things, she screams a lot, and worst of all, she becomes 'girl hostage'.

And this brings up the areas where the script falls down on the job. For one thing, it goes on far too long -- it could have and should have been cut down to at least four episodes and possibly less. There is at least one entire episode and parts of others which are nothing but characters wandering around in the tunnels. And I do mean *nothing* but wandering around in tunnels. The plot isn't advanced, we don't learn anything new and nothing really happens. It's all rather boring.

The other area where the script falls down is with some of the characters. As I mentioned, Victoria is basically useless... unless you count getting in trouble, getting captured and having to be rescued as useful. In which case you have a warped idea of being useful. Well, I supposed that's useful in a way as a plot contrivance generator but, really, it's just lazy writing. The reporter, Chorley, is also a very poorly drawn character. He starts flipping out at the least provocation and is reduced to 'annoying, bloody idiot' by episode two. Seriously, episode *two* with another four to go.

Aside from that, though, there is little to complain about here. There really isn't a moral message -- neither an obvious one nor a hidden one -- and this isn't one of those stories where the show was trying to reach for some loftier ideas or philosophical discussions. What it is, however, is a great, nail-biting story that will have you on the edge of your seat with tension to spare, stakes as high as they come, and a great, claustrophobic location. Come into my parlor said the spider to the fly....

Grab Bag Reviews: Tomb of the Cybermen

And I'm back from holiday hiatus. And what better note to come back on than a Second Doctor story?

"Tomb of the Cybermen" was originally considered as the final episode of the 1966-1967 season but the decision was quickly made to push it back to become the opening of the 1967-1968 season. As such "Evil of the Daleks" became the season finale for '66-'67 and "Tomb" would become the first regular episode for the new companion Victoria Waterfield, played by Deborah Watling.

One of the biggest things "Tomb" is notable for is that it is one of the few "lost" stories to be found in whole. Due to the BBC's tape wiping destruction program (which I've mentioned elsewhere) "Tomb" was one of those stories which had been destroyed. In 1991, however, complete film copies were found in storage at a Hong Kong TV station and returned to the BBC. "Tomb" would also be the last complete story to be found. Single episodes of some serials have been located and some surviving clips have cropped up in the years since but "Tomb" was the last serial where all parts of the story were located.

So now shall we venture into the Tomb of the Cybermen?

The Plot: An archaeological team on the planet Telos uncovers the remains of a Cyberman civilization. The Doctor arrives with his companions Jamie and Victoria and insists on joining the expedition -- afraid that the Cybermen may not be as long gone as thought.

It soon becomes apparent that there is a saboteur among the team -- someone with an ulterior motive. When that motive is finally revealed the Doctor finds himself the last line of defense against the Cybermen and a madman. Will even the Doctor's intelligence allow him to save all the lives in his hands?

My Take: Okay. Elephant in the room. Let's get this out of the way first. Toberman. Toberman is a black, nearly mute, servant to Kaftan, one of the members of the archaeological expedition. To American audiences in particular Toberman checks off the boxes on a number of uncomfortable stereotypes. I am not, however, familiar with race relations in Great Britain so I am going to reserve judgement. Also, reportedly, the character of Toberman was supposed to be seen wearing a hearing aid -- indicating that he might have had some other physical disabilities. We'll just leave it that Toberman is likely to make most viewers cringe. Including me.

Now that we're past that....

The story itself is nothing particularly new but script writers Gerry Davis and Kit Pedler give viewers a story packed with wit and one liners and the Doctor getting to really do what he does best -- be the smartest guy in the room effortlessly. They also showcased something new from the Cybermen -- a new leader known as the Cybercontroller. Bigger, stranger, and harder to stop, the Cybercontroller became like the villain in a horror movie -- no matter what you throw at him he keeps getting back up.

Davis and Pedler also didn't forget the heart of the story either. There is a scene between the Doctor and Victoria that is rightfully heralded as one of the best bits of Classic Doctor Who. The Doctor comforts his companion who has recently lost pretty much everything she has ever known and at the same time offers one of those rare revelations about himself. The scene is not only perfectly pitched to tug on the heartstrings, it does so without becoming overly sentimental or schmaltzy. It is also played with a light touch by both Troughton and Watling.

The script also rather favors Victoria. Too bad it would be the last time viewers would ever see her so spunky. True, she does some boneheaded things but that is balanced by a determination to prove that just because she's a girl doesn't mean she can't handle herself, a little bit of snark, and even the ability to handle a gun (although it is strange that this sheltered Victorian girl could shoot so well right out of the gate). After this story, though, the character of Victoria would start a long, slow, slide into being mostly a screaming damsel in distress. Here, though, Watling manages to convey a young woman who is an odd mix of innocence and spirit. She also makes the viewers believe that, despite a wardrobe change, Victoria is and remains a Victorian lady.

And speaking of performances... Troughton, after a year on the job, is completely comfortable as the Doctor -- as is Fraser Hines as Jamie. The two actors present some of the best of their comedy double-team here with puns and jovial insults flying fast and furious. The rest of the guest cast has some problems, however. Actor George Pastell as Eric Klieg is delightfully smug and superior but Shirley Cooklin as Kaftan is a bit too much. She seems more like a femme fatale character who wandered onto the set of the wrong TV show. Plus the character is basically named after a loose, flowing article of clothing. It's impossible to be dignified and taken seriously when your character is named after an outfit. Most of the rest of the actors are serviceable and not particularly outstanding. A special place of ire, however, is reserved for George Roubicek who plays Captain Hopper. Roubicek's American accent isn't horrible in and of itself but he definitely is trying too hard at it and that makes it rather wince inducing.

The set design and special effects for "Tomb" were also pretty well done. Sure, the Cybermats are a bit more cute than frightening (seriously, I think I want a remote controlled Cybermat toy) but the Cybermen base and the tombs below have an alien look to them and the bas reliefs and other art decorations on the wall lend an air of looming menace. The tombs themselves are strange and intimidating but it has to be said that the Cybermen emerging through saran wrap is somewhat less than stellar. But who cares? Overall, the set design team really went above and beyond for this story.

Even with the uncomfortable stereotype of Toberman, "Tomb of the Cybermen" is still a fun romp and one of the Second Doctor's best stories. There is action and adventure, intrigue, madness, and high stakes all around. Who could ask for anything more?

Grab Bag Reviews: "The Ice Warriors"

And now we have yet another audio story. Unlike "The Daleks Master Plan" where most of the story is missing, "The Ice Warriors" is only missing two episodes out of six. In the 1990's the story was released on VHS with shortened reconstructions in place of the missing episodes. In the 2000's though the BBC chose to release the story to audio rather than DVD... so far (there have been rumors that the BBC may be going to try replacing the missing the installments with animation but only time will tell). Also as with "Master Plan" "The Ice Warriors" uses descriptive narration to fill in the action which is not visible. In this case, though, the narration is provided by actor Fraser Hines, who played companion Jamie McCrimmon.

There was never much trouble or controversy with this story. By and large the time of Patrick Troughton's run as the Doctor went fairly smoothly. The casts and crews meshed well and in interviews most usually speak highly of Troughton's professionalism which was tempered with a sense of humor and a genuine liking for his co-workers. "The Ice Warriors" fell pretty much bang in the middle of Troughton's second season with the show and so everyone was settled and working together like a well-oiled machine.

The Martian Ice Warriors themselves were, as with the Cybermen, introduced in hopes of creating alien baddies with as much popularity as the Daleks. The producer at that time was eager to get past using the Daleks since creator Terry Nation had been guarded of their use as he was trying to convince American TV and/or film to pick up the rights for a Dalek based TV show or movie. The Warriors actually did become minor fan favorites. They would be used in one other Second Doctor story and would appear in a Third Doctor story before being retired. They got a bit of a mention in the Tenth Doctor special "The Waters of Mars" but so far they have not reappeared although fans of the older series continually hold out hope...

The Plot: In the distant future the Earth has fallen prey to a new ice age. The world's governments have come up with a plan to destroy the advancing glaciers by hitting them with a device, powerful enough to melt rock, called an ionizer. The Doctor and his companions Jamie and Victoria arrive at the Brittanicus Base in time for the Doctor to prevent an accident with the ionizer. They are also in time to witness the arrival of a strange, prehistoric figure found in the ice.

When the ice melts, however, the figure proves to be an alien who crashed on Earth millenia ago. Now reawakened he intends to thaw out his shipmates and conquer the planet!

The humans of the base are caught in a squeeze between the implacable Ice Warriors and the crushing, advancing glacier. The Doctor will need to use all of his cunning and cleverness to prevent wholesale destruction.

My Take: Yet another variation on the 'base under siege' motif. And while the writer ended up going the wrong way on the results of environmental catastrophe (global warming instead of the global cooling here) it is yet another sign of the topicality which had been creeping into the show for years. There is also elements of that good, old, stalwart Doctor Who theme of humanity vs. computers.

In point of fact, there's actually quite a lot going on here; the Ice Warriors are villainous villains not least because they are repeatedly offered peaceful solution but their stubborn mistrust and devotion to conquest ultimately doom them. Then there are the issues of naivete.

The scavenger, Storr, believes the enemies of his enemies will be his friends. He learns to his detriment that this is not the case. His naive view of the situation is a lesson to always consider all the facts instead of just one.

Of course Storr also fills a role in one of two extreme viewpoints presented throughout the story. Storr represents the "natural man" -- a hunter-gatherer with no use for science. Opposite him on the scale is Clent and the members of the the base -- men and women who have given up their own free thinking to computers. People who believe is science above their own ability to reason. Standing in the middle is Penley, who represents the blending of the two -- a man who knows how to use science as a tool without turning it into a god. The Doctor, as agent of change, tries to help Penley's model become the dominant one but at the same time he does not tell the people what to do -- the ultimate decision must be their own.

All of these themes and ideas are fun to explore, even now, over 40 years later. The problem is that they're presented in such a heavy-handed way it is a little hard not to giggle at the obviousness of it all. Of course, it must be remembered that at this time Doctor Who still thought of itself as "children's programming". And despite the diversity of themes running throughout they all manage to fit together well and nothing feels necessarily packed in or tacked on at the edges.

The Ice Warriors are, as I mentioned before, lovely villains. More than just their attitude, the decision to give them hissing, whispery voices adds to their menace and makes them work well in the audio format when you cannot see their lumbering, reptilian bulk. That reptilian nature, though, was wonderfully realized by the special effects team considering the limitations of the time. Their obvious intelligence and cunning teamed with their intimidating appearance and sinister voices make for truly impressive alien villains.

The guest cast does a nice job as well with the arrogant and superior Clent being one of those kind of "annoying allies" which tend to show up in Doctor Who while Penley comes off as actually good-natured at heart and there is just a tiny little hint of romance between himself and base technician Miss Garrett which humanizes both of them and keeps them from being such stock characters.

The real star here, though, is Patrick Troughton's Doctor. There are a wealth of great lines of dialogue all delivered with Troughton's usual panache. His insults ring with humor and a dash of snark, his moments of determination come across strongly and of course, as always, there are those moments where he walks right into the enemy's teeth without fear and gives them a chance to surrender. Once they ignore that offer all bets are off the table.

Fraser Hines's Jamie is also full of humor but his character lacks some of the good lines and good moments he has in other stories. There are a few moments, though, where he gets in a few digs at the Doctor and one endearing bit where he flirts shamelessly with Victoria.

And that brings us to Victoria. Ugh. This is NOT her shining hour. Deborah Watling would eventually leave the series feeling that she had done all that she would be allowed to do with the character and, like many women before her, tired of scripts where all she was allowed to do was scream and be helpless. While there is some small justification for the characterization considering that Victoria was supposed to be just that -- a sheltered, wealthy girl from the Victorian era -- she is at her worst here. Victoria does little except get captured, escape and get recaptured and to scream annoyingly. The. Entire. Time. It reaches the point where you would like to slap the character and tell her to knock it off she's being an embarrassment to women. It gets so bothersome that it actually ruins some scenes.

Victoria aside, the story as a whole is wonderfully entertaining and, as with "The Daleks Master Plan" one finds that visuals are not necessarily needed as imagination paints the scenes. The story really works even in it's audio format and there are still some lessons to be taken away from the whole affair. And even if all of that were not true this is Patrick Troughton at some of the top of his came -- whimsical, mercurial, and magical.